Limp capital

“Limp Capital” operates within protocol events. It lays claim to the mind-fuck-be-your-embarrassing attitude of the operator, where speech is drooling, where speech is fetish. The operator subscribes to no impulse, no fact, opting to turn off their brain and reinforce the subtle capital of ignorance. Its jump-cut structure advocates for the looser-self, for dance without analysis. The body becomes limpified, ornamental, where limp represents the compression of antithesis, embracing resistance in action and edging toward capital. What is anticipated is the expression of an advanced masculinity detached from the virile forms of pleasure. The protocols are governed by a type of achievement through abandonment and surrender of sovereignty. The goal is to achieve a type of meaning that resolves itself, releasing from speculation and interpretation, owing to its serious blurring effect whose difficulty in delivering a product becomes capital.

—Alex Mirutziu